Showing posts with label Developement. Show all posts
Showing posts with label Developement. Show all posts

Monday, 6 May 2013

EL-SPICEBOOKS ANNUAL INTER-SENCONDARY SCHOOL ESSAY AND POETRY COMPETITION




Events have proven that the four walls of the classroom is no longer enough to prepare our students for the challenges evident in our society. 
 
The existing school curriculum, despite its benefit, cannot carry the total burden of preparing the students for higher knowledge and advanced academic excellence, not to mention the job market.
 
In an effort to lend support to education in Nigeria as well as explore creativity in our students, El-SPICEBOOKS, (www.el-spicebooks.blogspot.com) a leading publishing company with headquarter in Jos, Plateau State, has to instituted a literary/creative intervention programme;  READ MORE

THEY STOLE OUR DANCE AND MADE IT THEIRS...SEE HOW.


The Africanist Aesthetic in American Dance Forms

by Emily Willette, Smith College
The Africanist Aesthetic and American Dance Forms

The history of globalization and cultural hybridization goes back through time as long as people from different places have been interacting with each other. Through trade of all kinds, people all over the world have been sharing their practices with others and taking in those of others. Since dance embodies many cultural attitudes, it is one way to look at the effects of globalization. Through slavery American dance was influenced by African dance, and in turn the African slaves were influenced by the dances already performed in this country. This can be seen in many dance forms created and altered in the United States.

History

The Africanist Aesthetic, as seen in American dance, is not any particular aesthetic of any one group of people from Africa, but rather is a blend of common elements across many different groups.  According to Katrina Hazzard-Gordon, this blending and creation of an African-American culture came about because of homogenization of slave life.
[1] Since the beginning of slavery in the United States, groups of Africans had been split up. No one group with a common language or cultural practices were kept together, which lead to cultural hybridization even in the early history of slavery.  With the invention of the cotton gin, many plantations that had previously grown indigo or tobacco began to grow cotton because this device made it so much easier to produce. Since almost all slaves were doing the same work, the shared practices were the basis for what Hazzard-Gordon calls, “a fairly stable, homogeneous, dominant cultural variant.”[2] The final force that Hazzard-Gordon cites is the outlaw of the slave trade in the early 1800’s. Since no, or almost no, new slaves were being brought into the United States and the percentage of slaves that were born in the United States was becoming the majority, the people were becoming further and further removed from their home culture with and had no way to recover what had been lost.

READ MORE.



Stage performance is not a dying culture in Nigeria – Prof. Duro Oni

Prof Duro Oni is the Deputy Vice Chancellor, (Management Services) at the University of Lagos, and a maestro in technical theatre. In this interview with Nwabueze Oge of the Nigeria Spur magazine, he speaks intensively on pertinent issues that affect theatre and film production in Nigeria.  

The Old and the New
It is still the same thing but there is no situation in life that is static, so there will always be changes that are occasioned by several factors in Nigeria theatre. Looking at the Nigerian theatre, the first recorded aspect, started with the Alarinjo theatre, which was part of what transpired among the Yorubas in Oyo. Alarinjo people were constantly on the move while doing their dances and performances. Things have gone from the traditional setting of the theatre among the Yorubas. Among the Igbos, there was also the masquerade theatre, which also thrived very much in the pre-colonial period. Among the Hausas, there was what was commonly referred to as Wasa Kwayo- which is the play making process of theatre READ ON.

HOLLYWOOD CRAZE FOR ANKARA.

Once upon a time, the Ankara fabric was considered to be the official clothing of poor people. The affluent hardly ever wore Ankara, and even when they did, it would be because of an occasion or event, not because they desired to. That has however changed.

Ankara is now not only worn by the rich, it has gone international. Many stars, home and abroad, now rock the Ankara fabric in different types of modern designs. Ankara is now being made into beach shorts, pants, playsuits, evening dresses.

Ankara accessories are now the reigning fad. Bangles, slippers, purses, earrings, shoes, you name it! If it’s a popular accessory, it definitely has an Ankara alternative.READ MORE.

Thursday, 4 April 2013

GRAND UNVEILLING OF DANCE NIGERIA ... PLATEAU STATE EDITION: WORLD DANCE DAY 2013


"The emotions are stirred and take form in words. 
If words are not enough, we speak in sighs.
If sighs are not enough, we sing them.
If singing is not enough, then unconsciously
our hands dance them and our feet tap them."

Dance is a powerful expression.
It speaks to earth and heaven.
It speaks of our joy, our fear and our wishes.
Dance speaks of the intangible, yet reveals the state of mind of a person and
the temperaments and characters of a people... "

Message from Lin Hwai-min, Founder/Artistic Director, http://www.international-dance-day.org/en/index.html                                               

As the world celebrates' WORLD DANCE DAY. Silver Screens welcomes you to her GRAND UNVEILLING OF DANCE NIGERIA ... PLATEAU STATE EDITION.



DATE: 29 APRIL 2013.
THEME: DANCE, EDUCATION AND PEACE.

Dance for Development


Dansol High School. Lagos.
Dance is a form of expression - non-verbal communication - that has been drawn upon in various contexts around the world to raise awareness, shape attitudes, and inspire people to address development issues such as human rights, health, and HIV/AIDS. This Drum Beat issue highlights a few of the initiatives, thinking pieces, and resources that illustrate this approach to social change.

DANCE TO UNITE AND HEAL: HUMAN RIGHTS 
Right to Dance: Dancing for Rights 
                                                           by Naomi M. Jackson (Ed.)